Sabtu, 29 Januari 2011

[S565.Ebook] Download Introduction to Forensic Anthropology, Pearson eText, by Steven N. Byers

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Introduction to Forensic Anthropology, Pearson eText, by Steven N. Byers

Introduction to Forensic Anthropology, Pearson eText, by Steven N. Byers



Introduction to Forensic Anthropology, Pearson eText, by Steven N. Byers

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Introduction to Forensic Anthropology, Pearson eText, by Steven N. Byers

Comprehensive and engaging, Introduction to Forensic Anthropology uses thoughtful pedagogy to lead students step-by-step through the most current and detailed forensic anthropology material available today. The book offers coverage of all of the major topics in the field with accuracy, intensity, and clarity. Extensive illustrations and photos ensure that the text is accessible for students. As one reviewer says, “there is no other source available that is so comprehensive in its coverage of the methods and issues in the current practice of forensic anthropology.”

  • Sales Rank: #784165 in eBooks
  • Published on: 2015-08-27
  • Released on: 2015-08-27
  • Format: Kindle eBook

About the Author

Steve Byers received his B.A. and M.A. from Colorado State University in Ft. Collins, CO. His Master’s Thesis, entitled “A reconstruction of the skull of Gigantopithecus blacki”, formed the basis for YFX Studio's full reconstruction of Gigantopithecus on display at the San Diego Museum of Man. His first teaching job was at the University of Southern Colorado (now call Colorado State Universiy, Pueblo) where he taught Anthropology for two and a half years. From there, he worked as a social and psychological researcher until he decided that his true love was Anthropology. He enrolled at the University of New Mexico (UNM) in Albuquerque, NM, where he studied skeletal biology and bioarchaeology.


Since graduating in 1992, he has taught part-time at the various campuses of UNM as well as Santa Fe Community College. When given the opportunity to teach a forensic anthropology class at UNM in 1998, he realized that the field lacked a comprehensive textbook. Since no one appeared to be writing one, he decided to take on the project. The first edition of his textbook, published by Allyn and Bacon (since subsumed under Prentice Hall), appeared in 2002, and has been put into new editions three times. The book received a very favorable review in the Journal of Forensic Sciences, as well as several regional anthropology associations.

Most helpful customer reviews

5 of 6 people found the following review helpful.
Item was in good condition, but content less that ideal
By Deej
This book was assigned for a class, however, I feel the book covers forensics very superficially and would not be a good buy if you're considering forensics professionally. I still keep referring to Tim White's Osteology book for better supplementation.

2 of 2 people found the following review helpful.
good!
By Ludmila Guedes Almeida
Good book, useful for those ones who are enrolled in this field of study! I would easily recommend. Good seller!

1 of 1 people found the following review helpful.
Good Textbook overall for Introduction
By Lifehunter
Introduction to Forensic Anthropology was a good text book for learning the basics of Forensic Anthropology, it did a great job for the most part. Unlike the 3rd Edition it has been updated and the terms used in the textbook are more accurate. Some of the methods it describes as great methods in the field are not as described can be miss leading. This textbook is definitely for Forensic anthropology, if you are looking for OsteologyI recommend a different textbook.

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Kamis, 27 Januari 2011

[I200.Ebook] Download Ebook The Prisoner of Chillon, by Lord Byron

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The Prisoner of Chillon, by Lord Byron

The Prisoner of Chillon, by Lord Byron



The Prisoner of Chillon, by Lord Byron

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The Prisoner of Chillon, by Lord Byron

The Prisoner of Chillon is a 392-line narrative poem by Lord Byron. Written in 1816, it chronicles the imprisonment of a Genevois monk, Francois Bonivard, from 1532 to 1536. The poem describes the trials of a lone survivor of a family who has been martyred. The character’s father was burnt at the stake, and out of six brothers, two fell at the battlefield while one was burnt to death. The remaining three were sent to the castle of Chillon as prisoners, out of which two more died due to pining away. In time only the narrator lived. The work’s themes and images follow those of a typical poem by Lord Byron: the protagonist is an isolated figure, and brings a strong will to bear against great sufferings. He seeks solace in the beauty of nature (especially in sections ten and thirteen), and is a martyr of sorts to the cause of liberty. Like much of Byron’s work, it came about as a reaction to his own experiences as a traveller, making use of historical and geographical knowledge Byron gained in continental Europe. Byron titled his work The Prisoner of Chillon: a fable; stylistically, it is a romantic verse-tale.

  • Sales Rank: #5034338 in Books
  • Published on: 2015-07-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .6" w x 6.00" l, .11 pounds
  • Binding: Paperback
  • 24 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
I needed to read this poem before visiting Chillon. ...
By Susan H. Rogers
I needed to read this poem before visiting Chillon. The annotations were very helpful filling in the background of the real prisoner and the life of Byron.

0 of 0 people found the following review helpful.
Enjoy this!
By Carol C. Bray
Oh....this was fun in that I read it before going to the actual prison. Amazing that Lord Byron! Read it.

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Minggu, 23 Januari 2011

[T457.Ebook] Download PDF The Facetious Nights of Straparola (The Italian Novelists) (4 Volumes Set), by Giovanni Francesco Straparola

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The Facetious Nights of Straparola (The Italian Novelists) (4 Volumes Set), by Giovanni Francesco Straparola

The Facetious Nights of Straparola (The Italian Novelists) (4 Volumes Set), by Giovanni Francesco Straparola



The Facetious Nights of Straparola (The Italian Novelists) (4 Volumes Set), by Giovanni Francesco Straparola

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The Facetious Nights of Straparola (The Italian Novelists) (4 Volumes Set), by Giovanni Francesco Straparola

Giovanni Francesco (or Gianfrancesco) Straparola (c. 1480-c. 1557) was an Italian writer and fairy tale collector. He has been termed the progenitor of the literary form of the fairy tale in Europe. Charles Perrault borrowed most of his stories from Giovanni Francesco Straparola and Giambattista Basile. While his given name is likely to have been "Giovanni Francesco", the last name of "Straparola" is not plausible. It is not typical of a family name of that time and place, and the literal meaning of it, "babbler", seems a likely nickname for a writer. Straparola's main work is the collection Le Piacevoli Potti (published in English as The Nights of Straparola or The Facetious Nights of Straparola). It was first published in Italy between 1550-53. Modelled on Il Decamerone, it has participants of a 13-night party in the island of Murano, near Venice, tell each other stories that vary from bawdy to fantastic. It contains the first known written versions of many fairy tales.

  • Sales Rank: #14580006 in Books
  • Published on: 1909
  • Binding: Hardcover

Most helpful customer reviews

7 of 7 people found the following review helpful.
Ian Myles Slater on: Sixteenth-Century Entertainments
By Ian M. Slater
This translation of a mid-sixteenth-century Italian work, "Piacevoli Notti," as "Facetious Nights," was published as a four-volume set, the dates of which I have seen given variously as 1901-1902 and 1908-1909. The copy I have is undated, and I don't know if either is correct, or an extended publication of different volumes. The title has been rendered in various ways, including "Pleasant Nights," and alludes to a story-telling competition held over a series of evenings to celebrate Carnival, on the obvious model of the already-classic "Decameron" of Giovanni Boccaccio (1313-1350), in which well-born Italians while away the time, although in that case they were waiting for the Black Death to abate.

The English rendering by W.G. Waters (William George Waters, 1844-1928) is readable, although in my opinion a bit wooden. A slightly older version, by no less than the flamboyant Sir Richard Francis Burton, turned the author's once up-to-date Italian into archaic-sounding English for no apparent reason or literary gain. (Burton's approach seems to have worked better with a later Italian story-cycle writer, Basile, discussed below; although N.M. Penzer's rival translation is considered more precise, it is also accused of "ennobling" the racy prose style.)

The author is identified in some reference works as Giovan Francisco Straparola (ca. 1480-1558), with various spellings, and nothing very certain is known about him. He may have been born in the village of Caravaggio, near Bergamo in the territory of Milan, and "Straparola" may be nickname indicating a wordy style. He seems to have spent his adult life in Venice.

Given this uncertainty about the author, it is mildly ironic that the Amazon listings so far do not give enough information to determine just which volumes of the four are being offered by dealers, so correspondence may be necessary to assemble a complete set, without unwanted duplicates.

Those who are curious about the illustrations and stories may wish to check an html version of this edition (search for Straparola and Garnier). This now includes Waters' "Terminal Essay," and should eventually extend to the Notes in which Waters catalogued Straparola's sources and parallels, and later uses of his stories.

There are also translations under slightly different titles, such as "Merry Nights" and "Most Delectable Nights," which seem from the lengths given to be abridged editions, but, not having seen them, I can't tell if this is the case, and whether or not they are different translations, or the same on under variant titles.

According to the description in the translation, which appears to be drawn from the original: "'The Facetious Nights of Giovanni Francesco Straparola' consists of an Exquisite and Delightful Collection of Humorous, Witty and Mirthful Conversations, Fables and Enigmas Including Singing, Music and Dancing During the Thirteen Nights of the Carnival at Venice as Related by Ten Charming and Accomplished Damsels and Several Nobles, Men of Learning, Illustrious and Honorable Gentlemen of Note at the Entertainments of Merriment and Pleasure Given by the Princess Lucretia at Her Beautiful Palace at Murano."

We are further informed concerning the printing history: First edition of the first part, Venice, 1550. First edition of the second part, Venice, 1553. Dedication, dated September 1, 1553, at Venice, from edition of 1555.

My description, based on the title page and physical examination of the volumes of the "Society of Bibliophiles" edition is:

"The Facetious Nights of Straparola." Now First Translated into English by W.G. Waters. Choicely illustrated by Jules Garnier and E.R. Hughes, A.R.W.S. The Italian Novelists, Volumes One to Four. Privately printed for Members of the Society of Bibliophiles, London, n.d. In Four Volumes. Hardcover.
Volume One. Dedication. A Foreword. Proem. Translation of Night the First to Night the Third. Eight plates (including Frontispiece). Table of Contents. xii + 399 pages.
Volume Two. Translation of Night the Fourth to Night the Sixth. Six plates. Table of Contents. [iv] + 373 pages.
Volume Three. Translation of Night the Seventh to Night the Tenth. Seven plates. Table of Contents. [iv] + 401 pages.
Volume Four. Translation of Night the Eleventh to Night the Thirteenth. Four plates. Terminal Essay. Notes. Table of Contents. [iv] + 316 pages.

The "Italian Novelists" series also included a three-volume translation by Waters of "The Pecorone of Ser Giovanni" (1558) by Giovanni Fiorentino (dates uncertain). I am uncertain if there were any other publications by the "Society of Bibliophiles," but this appears to have been the whole of "The Italian Novelists" it published.

Although it is not all that well known in English, three stories from the Straparola collection were incorporated in Painter's "Palace of Pleasure," a major Elizabethan compilation, often regarded as a source for Shakespeare. However, although "Facetious Nights" contains a number of entertaining tales, Straparola's stories are, in general, regarded as possibly closer to Italian oral sources than his more highly literary models. Recent literature on his work seems to be concerned mainly with his role as a precursor to the literary fairy tales of the late seventeenth and early eighteenth centuries. Not surprisingly, the collection may be most famous today for an early literary version of "Puss in Boots," which *may* give a glimpse of its pre-literary form.

Warning for the Fairy-Tale-Impaired: giveaway titles ahead!

The Eleventh Night, First Fable: "Soriana dies and leaves three sons, Dusolina, Tesifone, and Contantino. The last-named, by the aid of his cat, gains the lordship of a powerful kingdom." Note that the parent is the mother, not the father, and that the cat does not wear boots, which were added by Charles Perrault, in "Le Maitre Chat ou le Chat Botte," (1697).

Straparola's version had previously been adapted, with a new ending, by Giambattista Basile [1575-1632), in "The Story of Stories" (1634) better known as "Il Pentamerone" (edition of 1674), as "Gagliuso's Story," Fourth Diversion of the Second Day: "Gagliuso, having been abandoned by his father, by a cat's industry becometh rich; but showing himself insensible thereof, is reproached with his ingratitude." (From the Richard Francis Burton translation, as "Il Pentamerone: or The Tale of Tales.") This may or may not represent independent oral sources as well.

1 of 1 people found the following review helpful.
Ian Myles Slater on: Story-telling Revisited
By Ian M. Slater
This translation of a mid-sixteenth-century Italian work, "Piacevoli Notti," as "Facetious Nights," was published as a four-volume set, the dates of which I have seen given variously as 1901-1902 and 1908-1909. The copy I have is undated, and I don't know if either is correct, or an extended publication of different volumes. The title has been rendered in various ways, including "Pleasant Nights," and alludes to a story-telling competition held over a series of evenings, on the obvious model of the already-classic "Decameron" of Giovanni Boccaccio (1313-1350).

The English rendering by W.G. Waters (William George Waters, 1844-1928) is readable, although in my opinion a bit wooden. (A slightly older version, by no less than the flamboyant Sir Richard Francis Burton, turned the author's once up-to-date Italian into archaic-sounding English for no apparent reason or literary gain. Burton's approach seems to have worked better with a later Italian story-cycle writer, Basile, whose Italian was not standard; although N.M. Penzer's rival translation is considered more precise, it is also accused of "ennobling" the prose style.")

The author is identified in some reference works as Giovan Francisco Straparola (ca. 1480-1558), with various spellings, and nothing very certain is known about him. He may have been born in the village of Caravaggio, near Bergamo in the territory of Milan, and "Straparola" may be nickname indicating a wordy style. He seems to have spent his adult life in Venice.

Given this uncertainty about the author, it is mildly ironic that the Amazon listings so far do not give enough information to determine just which volumes of the four are being offered by dealers, so correspondence may be necessary to assemble a complete set, without unwanted duplicates.

Those who are curious about the illustrations and stories may wish to check an html version of this edition (search for Straparola and Garnier). This now includes Waters' "Terminal Essay," and should eventually extend to the Notes in which Waters catalogued Straparola's sources and parallels, and later uses of his stories. Those interested in a selection together with related tales from collections through the Grimms, and not intimidated by a thick (991 pages) volume, should take a look at the fairly recent (2001) "The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm" a Norton Critical Edition, edited by Jack Zipes.

There are also translations under slightly different titles, such as "Merry Nights" and "Most Delectable Nights," which seem from the lengths given to be abridged editions, but, not having seen them, I can't tell if this is the case, and whether or not they are different translations, or the same on under variant titles.

According to the description in the translation, which appears to be drawn from the original: "'The Facetious Nights of Giovanni Francesco Straparola' consists of an Exquisite and Delightful Collection of Humorous, Witty and Mirthful Conversations, Fables and Enigmas Including Singing, Music and Dancing During the Thirteen Nights of the Carnival at Venice as Related by Ten Charming and Accomplished Damsels and Several Nobles, Men of Learning, Illustrious and Honorable Gentlemen of Note at the Entertainments of Merriment and Pleasure Given by the Princess Lucretia at Her Beautiful Palace at Murano."

We are further informed concerning the printing history: First edition of the first part, Venice, 1550; First edition of the second part, Venice, 1553; Dedication, dated September 1, 1553, at Venice, from edition of 1555.

My description, based on the title page and physical examination of the volumes of the "Society of Bibliophiles" edition is:

"The Facetious Nights of Straparola." Now First Translated into English by W.G. Waters. Choicely illustrated by Jules Garnier and E.R. Hughes, A.R.W.S. The Italian Novelists, Volumes One to Four. Privately printed for Members of the Society of Bibliophiles, London, n.d. In Four Volumes. Hardcover.

Volume One. Dedication. A Foreword. Proem. Translation of Night the First to Night the Third. Eight plates (including Frontispiece). Table of Contents. xii + 399 pages.

Volume Two. Translation of Night the Fourth to Night the Sixth. Six plates. Table of Contents. [iv] + 373 pages.

Volume Three. Translation of Night the Seventh to Night the Tenth. Seven plates. Table of Contents. [iv] + 401 pages.

Volume Four. Translation of Night the Eleventh to Night the Thirteenth. Four plates. Terminal Essay. Notes. Table of Contents. [iv] + 316 pages.

The "Italian Novelists" series also included a three-volume translation by Waters of "The Pecorone of Ser Giovanni" (1558) by Giovanni Fiorentino (dates uncertain). I am uncertain if there were any other publications by the "Society of Bibliophiles," but this appears to have been the whole of "The Italian Novelists" it published.

Although it is not all that well known in English, three stories from the Straparola collection were incorporated in Painter's "Palace of Pleasure," a major Elizabethan compilation, often regarded as a source for Shakespeare. However, although "Facetious Nights" contains a number of entertaining tales, Straparola's stories are, in general, regarded as possibly closer to Italian oral sources than his more highly literary models. Recent literature on his work seems to be concerned mainly with his role as a precursor to the literary fairy tales of the late seventeenth and early eighteenth centuries. Not surprisingly, the collection may be most famous today for an early literary version of "Puss in Boots," which *may* give a glimpse of its pre-literary form, although many less famous stories also appear (as Zipes will amply demonstrate for those not satisfied with Waters' lists of titles).

Warning for the Fairy-Tale-Impaired: giveaway titles ahead!

The Eleventh Night, First Fable: "Soriana dies and leaves three sons, Dusolina, Tesifone, and Contantino. The last-named, by the aid of his cat, gains the lordship of a powerful kingdom." Note that the parent is the mother, not the father, and that the cat does not wear boots, which were added by Charles Perrault, in "Le Maitre Chat ou le Chat Botte," (1697). (Unless the credit should be given, as on the original title page, to Pierre Perrault, Charles' son, who was seventeen or eighteen at the time, not seven, as a persistent academic myth maintains. See, for this issue, and for other borrowings from Italian source (or as a brief alternative to Zipes), "The Complete Fairy Tales in Verse and Prose: A Dual-Language Book" by Charles Perrault, edited and translated by Stanley Appelbaum.)

Straparola's version had previously been adapted, with a new (and unfamiliar) ending, by Giambattista Basile [1575-1632), in "The Story of Stories" (1634) better known as "Il Pentamerone" (edition of 1674), as "Gagliuso's Story," Fourth Diversion of the Second Day: "Gagliuso, having been abandoned by his father, by a cat's industry becometh rich; but showing himself insensible thereof, is reproached with his ingratitude." (From the Richard Francis Burton translation, as "Il Pentamerone: or The Tale of Tales," 1893. Stories and illustrations from an 1847 English translation also can be found on line.) This may or may not represent independent oral sources as well.

0 of 1 people found the following review helpful.
A great read.
By Sal Provino
Giovanni Straparola was a geneious. This book intrigued me greatly, also because the writer graced his work with all the Italian romanticism one imagines would have been present during the Renaissance. It placed me right in the midst of that era. A great read.

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Senin, 17 Januari 2011

[A168.Ebook] Free Ebook Humanistic Critique of Education: Teaching and Learning as Symbolic ActionFrom Parlor Press

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HUMANISTIC CRITIQUE OF EDUCATION'S ten essays by noted scholars address the subject of educational policy, methods, ideology and more, with stress upon the rhetoric of contemporary teaching and learning. HUMANISTIC CRITIQUE OF EDUCATION focuses on education as symbolic action, as the foundation of discovery and, thus, as "equipment for living" in Kenneth Burke's terms. These essays will spark dialogue about improving education in democratic societies through the lens of humanism. The authors take their lead from Burke's famous essay, "Linguistic Approach to Problems of Education," which is included in the volume, and thus address the design, practice, and outcomes of educational programs in the new millennium. Key subjects include cognitive motivational outcomes, student development, literacy, active learning, constructivism, problem-based learning, cooperative educational movements, learning communities, student retention, community responsibility and service learning, technology, curriculum development, and more. Humanistic Critique of Education is the first sustained attempt to apply Burke's profound insights to the problems of educational reform and policy. CONTRIBUTORS include Peter Smudde, Bernard L. Brock, Kenneth Burke, Andrew King, Mark E. Huglen, Rachel McCoppin, Richard H. Thames, James F. Klumpp, Erica J. Lamm, Robert Wess, Bryan Crable, and David Cratis Williams. ABOUT THE EDITOR Peter M. Smudde (Ph.D., Wayne State University) is assistant professor in the School of Communication at Illinois State University. He came to academe in 2002 after sixteen years in industry in the fields of public relations, marketing communications, and technical writing. His primary research and teaching interest is the application of Burke's ideas and contemporary theories of rhetoric to pedagogy and industry.

  • Sales Rank: #5061687 in Books
  • Published on: 2010-01-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .61" w x 5.98" l, .88 pounds
  • Binding: Paperback
  • 270 pages

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Sabtu, 15 Januari 2011

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  • Sales Rank: #367962 in Books
  • Published on: 2015-11-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .30" w x 6.00" l, .42 pounds
  • Binding: Paperback
  • 132 pages

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6 of 7 people found the following review helpful.
This is a good book to get started with JSON language
By Ajit PS
This is a good book to get started with JSON language. JSON is very simple data interchanging format used in majority of web applications in modern programming environment. Very simple and step by step by instructions makes it easy to learn. Also having some exercises to practice. Good book for beginners…

4 of 5 people found the following review helpful.
Great Book for Beginners Too!
By Jimmy Franklin
By no means is programming easy, but this author and this book in particular make it much easier than it could be. The simple scripting terminology really made the process easier to grasp, especially incorporating with JSON. Implementing code with JSON is easier when you have this as a reference for sure. Highly recommended, especially for those beginning their journey.

1 of 1 people found the following review helpful.
Learn JSON In A DAY!
By Allexandria
This book will give you a low level understanding of JSON syntax, data types, and formatting, followed by a high level introduction into the many applications of JSON out in the world today. It will also address security concerns with JSON, so you can use JSON in your own applications with confidence.

Putting JSON in your tool-belt is the first step. This book will give you not just an understanding of JSON syntax, but and understanding the role JSON is currently playing in the web today.

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Kamis, 06 Januari 2011

[F240.Ebook] Fee Download Temperament - Astrology's Forgotten Key, by Dorian Gieseler Greenbaum

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Temperament - Astrology's Forgotten Key, by Dorian Gieseler Greenbaum

At last, the definitive guide to assessing the temperament in astrology. Many have shied away from this daunting task, traditionally seen as very complicated, but here the author gives a full history of the origins of temperament, then shows clearly and succinctly how to work it out for yourself. Copious case histories support her technique.

  • Sales Rank: #1308012 in Books
  • Published on: 2005-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .50" w x 7.52" l, .91 pounds
  • Binding: Paperback
  • 236 pages

About the Author
Dorian Gieseler Greenbaum is a professional astrologer and classical scholar who has been teaching, consulting and writing about astrology since 1992. She taught Classical Languages at a Waldorf school for 6 years and it was that and her work in astrology that provided the inspiration for this book.

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12 of 13 people found the following review helpful.
Essential Work on Natal Astrology
By James Levin
Dorian Gieseler-Greenbaum is one of the few practising astrologers around who has the classical chops needed to research and (where needed) translate ancient texts. The first part of the book is a good introduction to the history of 'temperament' in astrology. The second part describes Greenbaum's research into the subject, through which she arrived at a workable system for evaluating temperament in the natal chart. Anyone who has tried to implement (e.g.) William Lilly's contradictory suggestions on the subject will appreciate the practical and useable method that is presented here. It helps you to figure out what makes people tick and to get to the beating heart of the horoscope. Greenbaum's approach - take the classical texts seriously but don't treat them as sacrosanct, particularly where they don't make sense - is one I'd like to see more astrologers take. I really think any astrologer who takes the system in this book and works with it, will find that it's an invaluable tool - indeed, the book's sub-title isn't far wrong when it calls it 'astrology's forgotten key'.

16 of 21 people found the following review helpful.
A mixed bag
By Chaldean Magus
This topic is one that is missing from modern psychology and little understood from a classical perspective. This writer is an excellent translator of greek and of classical astrology. I have her other book: "Late Classical Astrology: PAULUS ALEXANDRINUS & OLYMPIODORUS, with the Scholia from later commentators" and it is without equal or compare.

That is why I was so disappointed in this current work. The first part of the book was a first-rate survey of the subject of Temperament, but the later half is formless and she completely abandoned classical technique and commented upon various charts without any basis in astrology. You could easily see personal bias in her work that detracted from the subject. As a classical astrologer, I could make no sense of her work and I found all of her analysis faulty. She seemed to be projecting an outcome in many of her "analyses". I sat on the fence with this book because I thought the first part of her book to be so good, but the latter half was so bad that I returned the book. I do not suggest this book and especially to those who would sincerely wish to study classical astrology -- and that *is* a pity.

After rereading this review, I am angry; this writer is way better than the second half of this book indicates.

6 of 9 people found the following review helpful.
Has taken astrology writing to a new level
By Nadine Harris
In addition to being one of our most lucid astrology teachers, Dorian Greenbaum is one of the most well-educated. A respected scholar and linguist as well as an astrologer, she has a unique point of view to bring to any astrological writing. What she has chosen to do with this book is to re-introduce to Western astrology a major technique that was once the first thing any astrologer did in the Hellenistic and medieval eras--determining the temperament of his client. Because today's astrology has become adulterated with dubious and fanciful concepts, and because we have lost touch with the world-view from which the techniques astrology originated, this crucial step has been obliterated from modern practice. It is an illuminating and authentic technique that needs to be brought back into the work of every serious student of the art. In addition to being one of most accurate astrology books in print, the book is clear, beautifully written and enjoyable to read. A must for the library of any informed practitioner.

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Rabu, 05 Januari 2011

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  • Published on: 2010
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  • Sales Rank: #2677652 in Books
  • Brand: Brand: CRC Press
  • Published on: 2004-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.50" w x 3.00" l, 4.24 pounds
  • Binding: Hardcover
  • 1312 pages
Features
  • Used Book in Good Condition

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El pastor Tommy Moya nunca se imaginó que después de dos décadas en el ministerio y de ser testigo de la restauración de cientos de personas, que a él mismo le tocaría vivir una dura prueba de la que solo la gracia de Dios lo rescataría. El 5 de mayo del 2009 le confesó a su familia, y luego a su congregación que había cometido adulterio y renunciaba al pastorado. En ese preciso instante, con su declaración y expresión de arrepentimiento, comenzó su nueva etapa de restauración personal.    
 
Caer no es la sentencia final relata el proceso que vivió no solo el pastor Moya,  sino también su esposa e hijas. No pretende ser un libro de sicología, pero sí contiene sabios consejos basados en las experiencias vividas. 
 
¿Qué encontrará en las páginas de Caer no es la sentencia final?
Esperanza y evidencias...
 
* La evidencia de que Dios es capaz de levantar al caído y no carece de oportunidades 
* La evidencia de que someterse a su proceso puede ser doloroso, pero vale la pena
* La evidencia de que la gracia de Dios se nutre del corazón contrito
* La evidencia de que también la familia puede ser restaurada
* ¡La evidencia de que para Dios nada es imposible!

  • Sales Rank: #346064 in Books
  • Model: 30014897
  • Published on: 2014-05-06
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.50" h x .56" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 208 pages

About the Author
Tommy Moya  sirve como pastor de la Red Ministerial  R.E.M.A  (Red Ministerial Apostólica).
Es autor de varios libros, incluyendo el libro de mayor ventas y ganador del premio “Mejor Libro Original del Año 2005”, Destinados para las alturas. Algunas de sus obras son: El maravilloso evangelio de la gracia y Exito para las naciones.  Reside en Orlando, Florida junto a su esposa Janet, y tienen dos hijas: Giselle Janney y Amarylis Moya.

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0 of 0 people found the following review helpful.
Un libro que sin duda es el corazon abierto de ...
By Buyer
Un libro que sin duda es el corazon abierto de toda una familia escrito en un pedazo de papel, se lo recomiendo a todo tipo de edades

1 of 1 people found the following review helpful.
!!Hay victoria en Jesús!!
By Noel Rodriguez
Estuve en Orlando, FL dos años mientras mi hermana terminaba sus estudios universitarios, busqué en linea una iglesia que me pudiera congregar mientras ella terminaba. Llegué a Centro Cristiano Restauración, el primer día que visité me quedé para los tres cultos. El Pastor Moya y sus predicaciones llegaban al corazón del oyente, no había congreso, actividad que dejara pasar por alto. Ya estaba de regreso en PR cuando me entero de lo sucedido, fue bien desgarrador no lo podía creer pero también pude entender que hay un adversario que vino a hurtar, matar y destruir y su nombre es "Satanás". Comencé a orar por esta familia para que Dios la restaurara. Este libro es hermoso. Gracias familia Moya por permanecer unidos. Satanás no pudo con esta familia. Le recomiendo que lo lean, no se arrepentirán.

1 of 1 people found the following review helpful.
Este libro es para ti!
By Jennifer
Este Libro es una Joya Literaria.
Cuan grande y hermosa es la misericordia, gracia y amor de Dios!
Yo trabajé al lado de Pastor Moya y estuve presente aquel Domingo en la mañana. Fue una experiencia desgarradora. Hoy por hoy puedo ver que existe un "todavia" para todo aquel que se arrepiente de corazon y viene ante Dios humildemente. Este libro ha llegado a mi vida como un bálsamo. Encontré honestidad, una palabra sencilla pero muy profunda, una reflexión para mi alma de la gracia de Dios para cada uno de nosotros, una esperanza y una gran enseñanza de lo que significa perdonar. Gracias a la Familia Moya por este legado.

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